Three Co-Founders
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Miriam Faraja | Executive Director
A Champion for the Community
As a community leader, Executive Director Miriam Faraja, has played a vital part in empowering individuals from all walks of life. Her leadership style embodies inclusiveness, empathy and an in-depth grasp of all the diverse challenges faced by marginalized communities. Her innate ability brings people together, promoting a powerful culture of togetherness and innovation. Thanks to her forward-thinking leadership and relentless drive, she has worked tirelessly to further improve the overall well-being of marginalized communities.
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Jean Stevenson Louis | Multimedia Director
A Humanitarian Heart
Director of Multimedia Jean Stevenson Louis, has at the heart of his mission a deep desire to give back to the community through his photographic work, to help make a lasting impact on the lives of others. As a dedicated humanitarian photographer, he has supported a wide range of charitable causes, tackling social issues such as racism, sexism, homophobia and many others. He is actively involved in a number of charitable initiatives, offering his time and his expertise to help maximize the reach and impact of these charitable efforts. As an essential part of this remarkable collective, he uses photography not only as an artistic tool, but also as a powerful instrument for telling untold stories of humanity's struggles and triumphs. Capturing the raw human experience through the lens of his camera, he highlights the hardships and resilience of marginalized communities, serving as a reminder that we are indeed all part of one common race: humankind.
Diana Official | Marketing & Community Engagement Director
Driving Positive Change
Over the years, Director of Marketing and Community Engagement Diana Official has been a strong voice for community engagement and artistic activism, spearheading transformative projects that have left an indelible mark on her community. Her determination to tackle social challenges head-on has resulted in innovative solutions that have truly changed the lives of countless people. Her considerable impact has inspired others to join the cause, amplifying the scope of her efforts and creating a ripple effect leading to positive change.
Red Dress Day | Honouring MMIWG2S+
It's Time | Organizers
It's Time Pop Up | Trade Show
Black Out Loud | Say It Loud - I’m Black and I’m Proud
Independence Day | A Celebration of Burundian Culture
Integration 101 BIPOC
Deconstructing Social Constructs through Art
INTEGRATION 101 BIPOC is a program to support, encourage and strengthen marginalized groups in Canadian societies, such as first generation immigrants, First Nations and other people of colour. Through promoting the importance of cultural diversity and social inclusion, the project aims to raise awareness of the challenges faced by these communities, to celebrate their achievements and contributions, and to strengthen their skills and commitment to the community.
Social constructs are ideas and beliefs that are created and perpetuated by society. They are often deeply ingrained in our culture and can shape our understanding of the world around us, including our attitudes towards race, gender, sexuality, and other aspects of identity. Art can be a powerful tool for challenging and deconstructing these social constructs. Here are some ways in which art can help to deconstruct social constructs. Art can be a powerful tool for deconstructing social constructs because it has the ability to challenge dominant narratives and provoke new ways of thinking. Here are a few ways that art can be used to deconstruct social constructs:
- Representation: Art can challenge social constructs by representing marginalized groups in ways that are different from mainstream depictions. By representing people and groups that are often ignored or misrepresented, artists can challenge the dominant narrative and promote empathy and understanding.
- Subversion: Art can also deconstruct social constructs by subverting dominant narratives and expectations. For example, an artist might use humor or satire to challenge stereotypes or highlight absurdities in social norms.
- Recontextualization: Art can also challenge social constructs by recontextualizing familiar objects or symbols in new ways. By presenting familiar objects or symbols in unfamiliar contexts, artists can challenge our assumptions and promote new ways of thinking.
- Collaboration: Finally, art can be used to deconstruct social constructs through collaboration. By working with members of marginalized communities, artists can co-create works that challenge dominant narratives and promote alternative perspectives.
All in all, the medium of art can be powerful for deconstructing existing constructs by questioning prevailing accounts, creating a sense of solidarity and acceptance, and advocating for alternative thinking.
Our Motto
Advocacy
To highlight the challenges faced by marginalized communities and to promote mutual understanding and empathy between different cultural groups.
Cross-cultural dialogue
To encourage an inclusive conversation and communication amongst different ethnic groups to foster social cohesion and understanding.
Cultural Heritage Valorization
To showcase and celebrate the rich and diverse heritage of marginalized groups through artistic exhibits as well as through other educational activities.
Strengthening capacities
Work in partnership with local organizations and institutions to develop programs and initiatives that support the inclusion and development of marginalized communities.
Learning and Development
To provide learning and development activities to build the skills and independence of marginalized community members.
Youth Engagement
To promote the inclusion and engagement of youth from marginalized communities in society.
#DigitalArtifacts - Tomorrow's History is Today's Story
We are preserving cultural identity.
We are preserving cultural identity.
We are preserving cultural identity.
Digital artifacts are an integral part of a community's cultural identity. They reflect the history, traditions, and values of a society. Protecting these resources helps to preserve cultural identity and pass it on to future generations.
We are promoting tourism.
We are preserving cultural identity.
We are preserving cultural identity.
Digital artifacts are major tourist attractions. They draw visitors from all over the world, generating revenue for local economies. Protecting these resources ensures their continued viability as tourist destinations.
We are ensuring historical accuracy.
We are preserving cultural identity.
We are ensuring historical accuracy.
Digital artifacts are primary sources of historical information. They provide valuable insights into past societies and cultures. Protecting these resources ensures that historical accuracy is maintained and that future generations have access to accurate historical information.
We are promoting research.
We are preventing illegal trafficking.
We are ensuring historical accuracy.
Digital artifacts are also valuable resources for researchers in various fields. Protecting these resources ensures that they are available for academic and scientific research.
We are preventing illegal trafficking.
We are preventing illegal trafficking.
We are preventing illegal trafficking.
Digital artifacts are often targeted by illegal traffickers who sell them on the black market. Protecting these resources helps to prevent their illegal trafficking and ensures that they remain in their rightful place